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What place doubt inhabits in us? Is it friend? Is it foe? Whatever, it is a companion to all except the steeliest of minds. And even in that case, it is worse for its absence – there is nothing so foolhardy as a mind without, at least, some partnership with doubt. I write of it, because I am within it. I am a fool for the arts, but the arts is a fools path. Or at least it feels that way. I know I am not alone in that. It is an extension of the life of the underground. It is a path without a planned end, or a destiny which you can control. There are points, especially in youth, when there is feeling of indestructibility, where one is convinced that the marriage of will and belief will only have one end. And it is a rite of passage of age, to see certain illusions as what they are; temporary. And in that new space of maturity we learn something of the true nature of life. Of the fact that we are not in control, that things are not fixed, and mostly do not turn out as we hope or expect. Our adaptability to these realities defines us, makes us who we are. We reject doubt. We hate it. Run from it. Attempt to make lists and good habits to dispel it. But often, if we would only chose to listen to it, we find that it has so many answers. And they are so often beautiful. Doubt is alway there before a junction, before a crossroads, before a turning point. It is doubt that guides us – which presents the options, and which, if we allow it to, allows us to chose the right road for our life. As for me, I feel riddled with doubt at this point. Do I have the courage to see this project through? Can we get enough shows to make the Russian journey work? Why the hell is it that life calls me to the deepest Siberian winter at this point in my life? Why journey towards uncertainty in one’s life, rather than to stability? I don’t have the answers to these questions. I just have the doubt at this point. There is no particular sense or order to things. Yet I do know that I must accept doubt as my companion if I am to continue at this point. My project depends on an affirmation of doubt, rather than a negation of it. So at this point, I will continue my little conversation with doubt, and believe that ultimately, he will turn out a friend….

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UPDATE 3:

A few more images from the evolving session / blog post! Just a brief catch up for now, and then there will be a final update next week on Tuesday.

We’ve had a great week in the studio and the first 4 songs we have put down towards Journeys #3 are called:

1. Where the Lovers Go
2. The Great Divide
3. Lets Do This Thing Called Life
4. Red Petrochia Scent

The session has been a very organic one. The second session has always been planned for September. Unlike the first 2 EP’s we are not recording this “in the one session”.

I’ve decided on a different strategy partly out of the fact that I just don’t feel in a rush (in myself), but also on a practical level, Journeys #2 is not released for another month, so there is no pressure.

That said i find it really hard to leave songs unfinished! But the energy built up is quite interesting because it feeds back into the writing. I have a lot written now, and ongoing, and I simply have no idea what songs will end up as the final two tracks on Journeys 3. We’ll see!

However, the planning for the traveling side is now developing in its early stages. A huge amount to do. One clue – going East not West!

It’s been a long week and then finished off with continuing my film work. It’s been a busy month on that side too, shooting the Live DVD for Hamburg, a commercial job for Paypal, the video for the first single for local musician Ben Barritt and now into a series of video’s for Universal’s Elias. Great to have the work, busy times. Making it happen, rolling on. At some stage I’ll will write a blog on the challenge of juggling one’s time – let me know your thoughts on the subject!

Here’s a very low light portrait taken of Elias during the shooting on the Sony A7s – the only photo taken as we were bustling away all evening on the video side!

UPDATE 2:

Just checking in from the studio. Things are rolling very well. There is a dance between money and time – something all independent artists understand. But there is a lot of experience in the studio, with both the musicians and the magically positive energy of Chris Van Niekirk who is producing. Here is a little video clip to give you a sense of the music and vibe. It’s a song called “Where the Lovers Go” – its really a little poem set to music. It is about the idea that “culture shock” is something you don’t experience when you go somewhere – but something you experience when you arrive back home. Something I feel quite deeply when I come back from my journeys expeditions. Anyway – a long way to go – but wanted to give you a sense of how things are developing.

UPDATE 1:

The EP is being produced by dear friend Chris Van Niekirk

Dan had a monster day yesterday on the drums. The joy for me is to play with these guys, and the simple truth is that I could not be as ambitious in the Journeys project with out them. Simply put, the playing is off such a high level & the chemistry so strong, that we can roll fast once we get into the studio. It’s not about the amount of time we are in the studio, but the energy within the time.

We are tracking the basic tracks live as usual. It’s a small but wonderful studio this time. The project is not flush with cash, so we are squeezing up, but none the less we are capturing the feeling of liveness which is at the heart of the Journeys music.

One of the most talented individuals I know, Austria’s Herr Dietrich – graphic designer, fixer, experimental jazz guru and most importantly, local hefeweizen drinking partner

You always feel confident rolling with this man, my anchor, rock and old friend Ben Barritt. Ben has just finished his own solo record -very exciting and sounding great. We are doing a lot of creative exchange at the moment, and I shot the first music video for his new record last week:

I’m really proud of the songs on this EP. It’s just exciting to be in a “continual cycle” of recording and released. It feels like I have finally broken down the strict lines between the writing and recording part of the process and the release and promotion. I like things to be ongoing and continual, and finally I feel in the artistic space I have been pursuing for, I guess 13 years

As we play the songs there is a little glowing globe next to me…I’m picturing how the music will find its way into the world, and what visual identity this will give the songs.

Finally – thank you Lucas for some of these shots. If anyone has any questions about the songs, process or releas plans, please feel free to comment below! Right – back to work – a big day ahead! x Jim

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If you would like to come along then please check here

It is a wonderful little cinema. Last week we had a test screening, and I was knocked out at how great the cinema is technically – wonderful screen quality and surround sound. It is also a little symbol for me of the the best qualities of Berlin – bringing the professionalism and comfort of commercial cinema, but to the intimacy and locality of the neighbourhood.

For me personally, it is an important milestone – both in terms of the Journeys project, and in my own personal journey itself.

Everyone who knows me, knows that it was a tough period after losing the EMI deal. Once again, life has shown me that renewal is something gradual, and transformation something that you cannot rush.

The most important things for me professionally during this period has been to safe guard the continuation of my career. Up until my record deal, my solo career had a sense of momentum and trajectory which I had not experienced previously in my musical life.

Losing the deal ground many things to a halt for me – and it was out of this period of facing new realities that the Journeys project was born.

My meditation upon independence and DIY philosophy has been long brewed. Put simply, in starting the “Journeys” project I had no idea what I was setting out to do.

It has been necessary to crush certain fantasies, dreams and ambitions in order to arrive at a state of professional health and stability. My greatest lesson has been that if you let go of certain longings, you can make the space for deeper realities to set seed.

I will go deeper into these ideas in other posts. But for now, I am happy to be presenting the culmination of a curious sequence of events. Buying a camera, heading to the far East with the thought of making a music video while on tour, recording with joy & spontaneity the strangeness of the life unfolding before me, coming home, finding myself at a dead end, working on the footage in the silence, and at the end discovering I’d made a little film….which in turn has become a broader series, and an important part of the Journeys aesthetic.

Sometimes you find the best stuff when you scratch around for long enough in the darkness.

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“I found myself playing at the Modern Sky festival because I was independent. Because I was desperate and full of fucking dream. And because of a 1000 nights waking in the ‘wrong’ places, following every lost lead to every place painted in the colours of dead end and nowhere”

NBHAP #1

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