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UPDATE 3:

A few more images from the evolving session / blog post! Just a brief catch up for now, and then there will be a final update next week on Tuesday.

We’ve had a great week in the studio and the first 4 songs we have put down towards Journeys #3 are called:

1. Where the Lovers Go
2. The Great Divide
3. Lets Do This Thing Called Life
4. Red Petrochia Scent

The session has been a very organic one. The second session has always been planned for September. Unlike the first 2 EP’s we are not recording this “in the one session”.

I’ve decided on a different strategy partly out of the fact that I just don’t feel in a rush (in myself), but also on a practical level, Journeys #2 is not released for another month, so there is no pressure.

That said i find it really hard to leave songs unfinished! But the energy built up is quite interesting because it feeds back into the writing. I have a lot written now, and ongoing, and I simply have no idea what songs will end up as the final two tracks on Journeys 3. We’ll see!

However, the planning for the traveling side is now developing in its early stages. A huge amount to do. One clue – going East not West!

It’s been a long week and then finished off with continuing my film work. It’s been a busy month on that side too, shooting the Live DVD for Hamburg, a commercial job for Paypal, the video for the first single for local musician Ben Barritt and now into a series of video’s for Universal’s Elias. Great to have the work, busy times. Making it happen, rolling on. At some stage I’ll will write a blog on the challenge of juggling one’s time – let me know your thoughts on the subject!

Here’s a very low light portrait taken of Elias during the shooting on the Sony A7s – the only photo taken as we were bustling away all evening on the video side!

UPDATE 2:

Just checking in from the studio. Things are rolling very well. There is a dance between money and time – something all independent artists understand. But there is a lot of experience in the studio, with both the musicians and the magically positive energy of Chris Van Niekirk who is producing. Here is a little video clip to give you a sense of the music and vibe. It’s a song called “Where the Lovers Go” – its really a little poem set to music. It is about the idea that “culture shock” is something you don’t experience when you go somewhere – but something you experience when you arrive back home. Something I feel quite deeply when I come back from my journeys expeditions. Anyway – a long way to go – but wanted to give you a sense of how things are developing.

UPDATE 1:

The EP is being produced by dear friend Chris Van Niekirk

Dan had a monster day yesterday on the drums. The joy for me is to play with these guys, and the simple truth is that I could not be as ambitious in the Journeys project with out them. Simply put, the playing is off such a high level & the chemistry so strong, that we can roll fast once we get into the studio. It’s not about the amount of time we are in the studio, but the energy within the time.

We are tracking the basic tracks live as usual. It’s a small but wonderful studio this time. The project is not flush with cash, so we are squeezing up, but none the less we are capturing the feeling of liveness which is at the heart of the Journeys music.

One of the most talented individuals I know, Austria’s Herr Dietrich – graphic designer, fixer, experimental jazz guru and most importantly, local hefeweizen drinking partner

You always feel confident rolling with this man, my anchor, rock and old friend Ben Barritt. Ben has just finished his own solo record -very exciting and sounding great. We are doing a lot of creative exchange at the moment, and I shot the first music video for his new record last week:

I’m really proud of the songs on this EP. It’s just exciting to be in a “continual cycle” of recording and released. It feels like I have finally broken down the strict lines between the writing and recording part of the process and the release and promotion. I like things to be ongoing and continual, and finally I feel in the artistic space I have been pursuing for, I guess 13 years

As we play the songs there is a little glowing globe next to me…I’m picturing how the music will find its way into the world, and what visual identity this will give the songs.

Finally – thank you Lucas for some of these shots. If anyone has any questions about the songs, process or releas plans, please feel free to comment below! Right – back to work – a big day ahead! x Jim

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Episode #1 from the Journeys series is now available to rent or buy on Vimeo On Demand . You can rent it here. For now it is available to pre-order and it will be released fully – along with extras – this Saturday, 27th of June.

There will also be a cinema screening at Il Kino this Saturday.

The documentary is a labour of love for me, and has grown from small beginnings, into what I hope will become eventually a 6 part series.

Beyond that, the rental through Vimeo On Demand, marks the next step in a paradigm shift in my approach to the record industry, and how to live and work as an independent artist.

I do believe that there is a totally new potential in the business of being a musician available. I am not talking about the world of Spotify and the new music industry. I am not “anti” any of this. I just don’t believe that it is a genuine solution for modern musicians. It and they just do not pay. And unlike most people, I dam well believe in the financial worth of a song. It needs to be stood up for.

Musicians have always been the bottom of the pile in our industry. It has always seemed to me that everyone seems to get paid in the music industry before the musician.

I believe that the modern musician needs to get much more practical in his approach to business and grow much greater capability in learning how to use and exploit the power of modern media.

I am fascinated by the new distribution channels opening up, and especially in the ability for the musician to do direct business with the fans.

The genesis of Journeys was about trying to get to a quicker and more immediate mode of distribution with my fans. It is a problem I have not solved, but utilising the power of Vimeo on Demand – and of making my own documentary work – does mark something of a revolution in how I intend to go forward.

For now, I am just proud to be showing my work, and excited to live in a world where there are so many possibilities opening.

We need to get active, we need to cease to be passive.

The future of the modern independent musician will not be answered by Spotify, itunes, Tidal or the “new industry” but by our capacity to rely on ourselves and to utilise modern media as a way to distribute – and live off – our art.

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I am happy to release today the new video for “Waiting for the Gods” from Journeys No.1

I wrote the song in the year between losing my deal with EMI and beginning the Journeys project. It was a time of stopping. Of allowing the past to settle, and waiting for a new future.

The idea of “Journeys” hit me during the flight back from the US after playing my first shows there. As I drank a little too much red wine I realised that finally I was forming a vision of how to go forward.

Arriving back in Berlin, I locked myself in my room in Neukölln for a week, and wrote the first Journey´s EP.

I wrote “Waiting for the Gods” as the scale of the project began to dawn on me.

“Truth is I don’t know where I’m going next, I look around no view where the sun may set, yet I know these feet must take me far….as evening surrenders to the stars….”

Shortly after recording the song I set off to China in September 2014. Half way through the tour I found myself playing a show in Chongqing, a city of 34 millions people. I came down with a chest infection, and the road to Changsha was long and hard.

Before the show that night, I considered doing something that I’ve never done – canceling a show. I was just feeling really sick, exhausted, and it hurt to breathe.

“There’s a crossroad of which many speak, there’s a devil there I am yet to meet, and I don’t know if I will survive….till I’ve met his gaze with steady eye…..”

I decided instead to take a walk with Ben and just before dusk the light by the Xiang river turned into the deepest, most otherworldly blue. It was a moment to be embraced, and we took 3 takes of the song before the light passed to night.

“There are many miles to walk ahead, flesh is weary, feet have turned to lead, yet our faith is only what we make…..of walking forward hand in hand with fate……

It felt somehow that the song had predicted the moment, and I suddenly felt exactly where I was meant to be. I knew that the show had to go on, and it was one of the best nights of the tour.

…..there ain’t no use in waiting for the gods….

I believe that there are many crossroads along the path of our lives. What I tried to express in the song is that first, one does not have to be afraid of them. Secondly, that sometimes you have to allow yourself to spend some time at a crossroad, in order to understand what junction ahead is right for you.

With love from Nairobi

Jim

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